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Thank you my new friend ..thank you for buying !
Hope your summer will bring you where you want to be !
‘Run’
LoveMeXXXX
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Thank you my friend for buying my ‘Trouble’ and adding it to your collection!
Very proud to be in it !
LoveMeXXXX
One of the sculptures last year is called “Love” created by Alexandr Milov from Odessa, Ukraine.
Burning man tells us,..
The sculpture demonstrates a conflict between a man and a woman and, ultimately, an inner expression of human nature. The figures of the protagonists are made in the form of big metal cages, where their inner selves are captivated. Their inner selves are executed in the form of transparent children, who are holding out their hands through the grating.
As it’s getting dark (night falls) the inner children shine. This shining is a symbol of purity and sincerity that brings people together and gives a chance of making up when the dark time arrives.
“One of the most powerful art pieces at Burningman last year: the sculpture of two adults fighting, backs to one another… yet the inner child in them both just wants to connect and love one another. Age has so many beautiful gifts, but one that I could live without is the pride and resentment we hold onto when we are in conflict with others. The forgiving, open and free spirit of children is our true nature ; and I know I’ll be remembering this next time I’m feeling stubborn.”
LoveMeXXXX
Sold !
To my long time dear friend and your lovely wife , can’t be more happy!
Good to see you here !
LoveMeXXXX
ANTHONY GOICOLEA’S MONUMENT
ANTHONY GOICOLEA’S MONUMENT
Employing a variety of media, Goicolea explores themes ranging from personal history and identity, to cultural tradition and heritage, to alienation and displacement. His diverse oeuvre encompasses digitally manipulated self-portraits, landscapes, and narrative tableaux executed in a variety of media.
In recent series, many of the images are devoid of humans, although the landscape reflects an anonymous and increasingly tenuous human presence. In these works, primitive lean-tos and crudely constructed shanties coexist in an uneasy union with the technological vestiges of an industrialized society. Suggesting a world on the brink of obsolescence, these chilling images further cement the pervasive undercurrent of human alienation.
The artist has exhibited widely in group and solo exhibitions, including the International Center of Photography, New York, the Museo Nacional Centro de Arte Reina Sofia, Madrid, the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Museum of Modern Art, New York.